Why the Biggest "Myths" About the beginning after the end May Actually Be Right

Epic poetry exhibits some similarities with the novel, and the Western tradition of the novel reaches back into the field of verse epics, though again not in an unbroken tradition. The epics of Asia, such as the Sumerian Epic of Gilgamesh (1300–1000 BC), and Indian epics such as the Ramayana (400 BCE and 200 CE), and Mahabharata (4th century BC) were as unknown in early modern Europe as was the Anglo-Saxon epic of Beowulf (c. 750–1000 AD), which was rediscovered in the late 18th century and early 19th century. Other non-European works, such as the Torah, the Quran, and the Bible, are full of stories, and thus have also had a significant influence on the development of prose narratives, and therefore the novel. Then at the beginning of the 18th century, French prose translations brought Homer's works to a wider public, who accepted them as forerunners of the novel.[citation needed] Classical Greek and Roman prose narratives[29] included a didactic strand, with the philosopher Plato's (c. 425 – c. 348 BC) dialogues; a satirical dimension with Petronius' Satyricon; the incredible stories of Lucian of Samosata; and Lucius Apuleius' proto-picaresque The Golden Ass, as well as the heroic romances of the Greeks Heliodorus and Longus. Longus is the author of the Greek novel, Daphnis and Chloe (2nd century AD).